1/1/2023 0 Comments Style Korg Pa 800 Software![]() ![]() ![]() It's only since I've lived these last five years in L.A. I was still recording and mixing in Philly. How did you make the jump from doing live sound into becoming primarily a recording and mixing engineer? The rooms are bigger or smaller-different places have different problem areas-being in a stadium or doing a festival where you have delays and all that stuff is just insane. If I'm on tour and we're generally using the same board, we’re probably never using the same monitors for front-of-house. Being a live sound engineer taught me so much signal flow and having to adapt to different spaces and different gear all the time. Working on Mackie boards or Yamaha boards that only had seven inputs that worked-Avid and Midas consoles, the M32s, the Behringer X32, a lot of different stuff. What boards were you working on when you were doing live sound? That's when I met a mentor of mine and decided that I was going to move to LA to pursue studio engineering. That started a whole live sound career for me all around Philly that ended pretty much with me doing front-of-house for the Fetty Wap and Post Malone tour in 2016. I can never call out, give me all the gigs! I want all of them, don't talk to anybody else." They were like, "We'll take anyone who will accept like $60 a night." And I was like, "Cool, I'll do it. Then on Craigslist, I found a job to do live sound at (legendary Philly music venue) Dobbs-they were opening the upstairs portion of the venue. ![]() I actually got a job at a Jimmy John's, went for one day and was like, this “I don't wanna do this.” What ended up actually happening was that I had run out of all my money and was trying to get a regular job. I would book sessions, started going around to studios, and I tried to make it work. (laughs) All different colored ones, too-it was great, real good aesthetic. Well, I told people that I was an audio engineer and I tacked sheets to my ceiling and called it a recording booth. I moved back to Philly and-you know-pretended until I was an engineer. I saw music production schools, but I went for audio engineering at Sheffield Institute for the Recording Arts in Baltimore. I don't even think I really knew what an audio engineer was, which makes it all the more crazy. I wasn't looking to be an audio engineer. I had to tell my parents I was gonna do something-so I went to the library and I was like, “oh, I had wanted to be a music producer that one time when I was 15. I was trying really hard but it just wasn’t working out so I dropped out. I was going to college to be a journalist and I just kind of kept failing all the classes (laughs). For starters, could you tell me how you got into engineering? ![]()
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